The Origin of the Lamento Bass
Lamento Bass in Partimento The Lamento Bass, often mentioned in discussions about Partimenti and Baroque music, is a descending tetrachord […]
Gradual and Antiphonary
The 2 Categories of Chants The chants and melodies in Cantus Firmus are primarily divided into two categories: those of
The Canonical Hours in Cantus Firmus Repertoire
The Prayers of the Canonical Hours in the Divine Office According to the Breviary of Pius V (1568) The Divine
Saint Francis of Assisi Introitus
II Tonus Plagalis, Imperfectus Mixtus Imperfectus, Commixtus Imperfectus Mixtus with the VII The Source of this Chant from the Gregorian
The Solfeggio Tradition
The Solfeggio Tradition Nicholas Baragwanath Topics Solfeggio, Music Theory Education Hexachordal Solmization History and Early Music Practice What do you
The Art of Partimento
The Art of Partimento Giorgio Sanguinetti Topics Partimento Music Education History of Music and Compositional Teaching What do you need
The Pianist’s Guide to Historic Improvisation
The Pianist’s Guide to Historic Improvisation John J. Mortensen Topics Baroque Improvisation Keyboard Improvisationn Prelude, Toccata, Suites, Variations, Diminuitions What
Manuale di Canto Fermo
Manuale di Canto Fermo Michele Chiaramida Topics Canto Fermo, Gregorian Chant Renaissance Music Church, Salmody, Renaissance Music Theory What do
Counterpoint and Partimento
Counterpoint and Partimento Peter van Tour Topics Partimento Teaching Methods Neapolitan Music of the 17th century Italy What do you
Music in the Galant Style
Music in the Galant Style Robert O. Gjerdingen Topics Musical Composition Musical Analysis Music of the Galant Period (Baroque, Classical,
